Art

If your taste runs more to birds, there are some interesting chimeric jays as well.
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #32, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. As you can see, even these artworks are not immune to the attentions of those who seek to destroy beautiful things. Oculus is located…
About a month ago I posted a photograph of one of my favorite subjects, one of the snow leopards (Panthera uncia) from the Bronx Zoo. Shortly after I put it up Judy, who blogs at crazybasenji.com, asked if I could send along a higher-res copy so that she could paint it! I was delighted by the idea, and I am happy to say that the painting is really starting to come together. Check it out; Update #1 Update #2 Update #3 Update #4 I can hardly wait to see the finished work of art!
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #31, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
This Tuesday, April 7, the Koshland Science museum in DC is hosting a book talk: Join NASA scientist Gavin Schmidt and accomplished photographer Joshua Wolfe as they demonstrate how photographs can illustrate the effects of global warming more poignantly than any temperature graph or chart. The two will show photos and satellite images of retreating glaciers, sinking villages in Alaska's tundra, and drying lakes from their new book, Climate Change: Picturing the Science. They will also discuss how scientists gather climate data and come up with cutting-edge research findings. RSVPs are…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #30, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
Swedish researchers have enlisted the help of artist Mikael Genberg to design a robot that will one day erect a tiny house on the moon. After landing on the lunar surface in 2012, the autonomous robot will scout for a suitable location and build a small red cottage, in keeping with the Scandinavian style. The flatly-named The House on the Moon project aims to be a symbol of what one man can achieve. Students at the Mälardalen University will design, build and program the robot, although Professor Lars Asplund hinted that the final step may be a leap too far: "We want to teach students who…
Aquasaurus paint, resin, steel Jitish Kallat, 2008 At first I thought this piece by Indian artist Jitish Kallat was an oil tanker truck, and that it represented some sort of play on "fossil fuels" (and perhaps the morbidity of the behemoth domestic auto companies). But apparently that was my American bias at work. It's actually a water tanker, entitled Aquasaurus, and it represents the rapid transformation of urban India: Aquasaurus is a monumental seven-metre long skeletal sculpture of a water-tanker morphing to become prehistoric creature that personifies the radical transformation of…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #29, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #28, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #27, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #26, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #25, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
Take another look at this picture of the Rokeby Venus from last week's post on mirrors in art: Now, imagine you're actually in the room with Venus, as depicted in this painting. You suspend your astonishment long enough to conduct a quick test of the principle of how a flat mirror works. Consider what would happen to Venus' face in the mirror as you approach it. As you walk towards the mirror, would the proportion of the reflection taken up by Venus's face increase or decrease? In the painting, the face takes about 2/3 the width of the mirror. Would that proportion get bigger or smaller as…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #24, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
tags: Chambers Street, Park Place, World Trade Center, Oculus, Andrew Ginzel, Kristin Jones, subway art, NYC through my eye, photography, NYC Oculus #23, 1998. Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel. Artists: Andrew Ginzel & Kristin Jones. Image: GrrlScientist, 3 January 2009 [larger view]. Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be…
The shepherds responsible for the sheep art I featured earlier (i.e., Sheep + LEDs - Mona Lisa, Fireworks, etc.") explain how it was done. Via the BBC:
The Rokeby Venus by Diego Velázquez is a good example of a very common illusion in many paintings: Most viewers would say this picture depicts a woman viewing her own reflection in a mirror. But based on the orientation of the mirror, it's actually physically impossible for her to see her own reflection. Since we can see her face, then if she could see face in the mirror, her head would have to be positioned between us and the the mirror. At best all she would be able to see is us (or rather, the painter painting her picture). Art critics have suggested that there's another problem with…
Norwich State Hospital, Piano "New England Ruins" Rob Dobi, 2005 Three quietly stunning collections of photos mix the ache of loss with the unintentional but undeniable beauty of decay. First, Rob Dobi's "New England Ruins" documents abandoned buildings in various states of abandonment. His compositions vary from grand (abandoned stages and performance halls) to mundane (a chair fallen down a flight of stairs, the back of a derelict television). Norwich State Hospital, Piano (above) captures a broken piano, its innards undulating like the skeleton of a grilled trout, under a crude mosaic of…
Richard Avedon, The New Yorker, 1995 Via Haute Macabre, an unbelievable fashion editorial created by Richard Avedon for the New Yorker. I have no words. Richard Avedon, The New Yorker, 1995 See the complete editorial at Haute Macabre.