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Poets On Prozac

Poets on Prozac is the short title of a book by
psychiatrist-poet Richard M. Berlin, MD.  The full title is: Poets
on Prozac: Mental Illness, Treatment, and the Creative Process

Berlin was an associate professor of psychiatry at the University of
Massachusetts Medical School; now he's in private practice, and a
Senior Affiliate at U Mass.  And a writer.  His personal
website is here
A sample of his work is href="http://jama.ama-assn.org/cgi/content/extract/296/7/737">here;


After Reading Music From Apartment 8

for John Stone, MD



When I started out in medicine,

before I married and before

I had written a single poem,

I read your poetry like a hiker

on a treacherous trail who finally

stops to rest and drink and admire

the view of snow-capped peaks.

Three decades later I imagine you,

ten years younger than my father

would be if bad genes, bad luck, and bad

doctoring hadn't killed him long ago.

Without a father to guide me north,

your poems were a compass

pointing toward a world

where doctors can be poets,

where the pulse of each line

begins with the heartbeat we hear

when we bend close to our patients.

I pray you, too, are drinking deep

from whatever stream brings you

to your knees, and I hope

you can hear my boots striding

behind yours, cracked from the heat,

covered with dust, both soles still strong.



Richard M. Berlin, MD

Richmond, Mass



This is not a review of the book, or his other work.  For a review
of the book, see the article in href="http://www.psychiatrictimes.com/display/article/10168/1444245">Psychiatric
Times.  While there, see the href="http://www.psychiatrictimes.com/display/article/10168/48971?pageNumber=1">essay
he wrote in 2001, about how he happened upon the subspecialty of
poet-psychiatrist.


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Naturally, his path from medicine to creativity was not a straight
line.  There were lots of little offshoots. 



Is there an interesting tangent we can take, looking at the publicly
available material here?



The book review in Psychiatric Times explains that the book consists of
sixteen essays, many written by poets who are undergoing, of have
undergone, some sort of psychiatric treatment.  Two themes emerge:




1) "The struggles of the impaired mind and troubled soul are not what
make quality poetry. It is instead hard work guided by clarity and
competence...
Whether from pharmacology or psychotherapy, the essayists in Poets on
Prozac often find new precision through treatment."



This implies that, for the poets involved in the book, the treatment
was helpful.



2) "Despite this largely unanimous appreciation of treatment in the
book, a second, more subtle theme arises. Although the existence of
illness may not define the poets, healing from illness is entwined with
their paths as artists."



I have some comments on this.  First, despite the
title, this is not a work about the effects of serotonin reuptake
inhibitors upon the creative process.  The essayists received
medication in some case, or psychotherapy, or both.  Second, it is
most distinctly not a scientific study.  It was not randomized, it
was not blind, and it was not controlled by placebo or anything
else.  Thus, any conclusions we might draw are necessarily
limited. 



It says nothing about what usually happens to the creative
process when people undergo treatment, just what happened to a poet's
dozen of individuals.  These are not typical patients.  Plus,
the creative process involved in the writing of poetry may not
represent the creative process in general.



Is it possible that some persons find that psychiatric treatment
inhibits creativity; or, could it have both beneficial and deleterious
effects, in some people?  Of course. 



I once attended a seminar about psychoanalytic psychotherapy, in which a
case was mentioned of a creative person who had expressed a worry that
therapy could diminish creativity.  One of the senior analysts
rendered the pronouncement, that creativity that arises from untreated
mental illness is not true creativity.  The idea there, is
that psychoanalytic psychotherapy can only improve things.  As
appealing as the notion is, it probably is incorrect. 



Over the years, I have seen some people complain about the dulling
effect of medication, in particular.  Various kinds of emotional
dulling can occur with any class of medication.  The complaints
usually arise in persons taking mood stabilizers, or antidepressants,
or sometimes antipsychotic medication.  Dulling also can occur
with sedatives and opioids, although for some reasons people don't seem
to complain about that as much.



We already know that different treatments do different things to
different people.  Sometimes, the effects are positive, sometimes
negative; often, the outcome is a mix of positives and negatives. 
Nothing new there.  Still, it is nice to see that, for some
persons, the positives clearly outweigh the negatives.


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I find this fascinating. First, because these poets were able to find some manner of recovery through their treatment and second, that they were able to continue to hone their writing skills to sharpen their writing as a result.

Having gone through a debilitating period of intense grief coupled with a descent into alcoholism, I wondered at times if my writing would suffer if I actually got "well." It's something I struggled with frequently. The writing I did during that time of my life is rich and meaty. Certainly some of my best.

However, I finally concluded that getter better was worth losing pretty much anything. I didn't realize it at the time, but I was choosing to remain stuck because I didn't want to lose the breadth of creativity that I was receiving from staying there. I may or may not ever recover that kind of writing, but I'm sure glad I'm not lying in my bed waiting to die anymore.

I've seen some pretty huge dulling effects in friends - about equivalent to the difference between being totally awake and weary at the end of a long day. (That was ADHD, not depression, though.)

By intercoastal (not verified) on 09 Sep 2009 #permalink

This fear of losing creativity due to taking pharmaceuticals is a common one in the artistic world. Almost considered a truism, in some circles. Which is a shame, given the number of troubled artists who might in fact be given a very helpful gift by the very medicines they fear will rob them.

A full-on episode of serious clinical depression has a very dulling effect all its own...

Speaking from my own experience with clinical depression, I find that I cannot write *at all* when I'm in the middle of a serious bout of depression. It's the depression that's numbing, not the medication. I can't bring myself to write ("what's the point?", etc.), and if I do try, it doesn't come out any good, or at least that's the impression I have. It also affects memory, concentration, cognition...
So sometimes I think people who feel they produce better art when they're depressed must be experiencing a completely different set of problems from the ones I do. To me depression means not being able to function, to emote, to see purpose in anything.